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-Deep feelings: This poem is full of the poet's strong feelings. Gong Zizhen was in the late Qing Dynasty, social unrest, political corruption, his career was not smooth, and he resolutely resigned and left Beijing. In the poem, there are both reluctance and attachment to the court and country that they have dedicated for many years, just as the fallen flowers are reluctant to give up on the branches; He also expressed his determination to continue to cultivate talents for the country and contribute to social development through other means, such as using his own thoughts, knowledge and pens, although he left the officialdom. His patriotism and responsibility are all in it.The metaphor is vivid and appropriate: compare yourself with the fallen flower, and compare yourself with the fallen flower that leaves the branch, and the image is natural. At the same time, the behavior of continuing to contribute to the country and society is likened to falling flowers turning into spring mud to protect flowers, and the abstract emotions and wishes are vividly visualized, which makes it easy for people to understand and deeply feel the poet's spiritual realm of not changing his initial dedication even if he is in trouble and out of his original position.

Structural action level-The meaning is profound and unique: "Turning into spring mud is more protective of flowers", which shows that the fallen flowers do not fall without feelings. Even if they fall into mud, they should turn into spring mud that nourishes the growth of flowers, continue to protect and cultivate new flowers to bloom, show a noble feeling of selfless dedication and self-sacrifice, and at the same time convey the profound philosophy that although life has an end, spirit and value can be continued and transformed.-Conforming to traditional values: In China's traditional culture, there has always been the idea of "helping the world if you are up to speed, and protecting yourself if you are poor", as well as the value orientation of advocating dedication and paying attention to spiritual inheritance. Gong Zizhen's poem fits in well with this cultural background. He still chooses to practice the concept of "helping the world at the same time" in another way when he is frustrated personally and can no longer directly display his ambition in the officialdom. He shows the spiritual quality of selfless dedication by self-metaphor, which echoes the feelings of home and country and the sense of responsibility held by people with lofty ideals throughout the ages. Therefore, this poem can arouse widespread resonance and is deeply loved and respected by people.

-Clever choice of images: the image of "falling red" in the poem, that is, falling flowers, is a dying thing, which is usually easy to remind people of the disappearance of beautiful things and the fall of life, with a sad and lonely color. However, the poet gave it a brand-new and positive meaning.-The key link between the preceding and the following: This sentence plays a vital role in the poem "Ji Hai Miscellaneous Poems No.5". The poet described his resignation from Beijing and bid farewell to the land of many years of life and official career. It was a complex emotion intertwined with disappointment. "The mighty sorrow leaves the sky, and the whip refers to the end of the world" outlines the picture of parting and the sad mood. However, "Falling Red is not a heartless thing, but turning into spring mud can protect flowers more" skillfully inherits this parting, further visualizes one's complex emotions through falling red flowers, and at the same time opens the following chapter, expanding from simple personal emotion expression to expressing one's lofty ambition to contribute to the society despite being far away from officialdom, so that the emotional context and ideographic level of the whole poem can be promoted coherently and deeply, and the structure is very compact and natural."Falling red is not a heartless thing, but turning into spring mud protects flowers more" comes from Gong Zizhen's "Ji Hai Za Shi, the fifth" in the Qing Dynasty. The following is an appreciation of this poem: